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The Vtg Stencil series of fonts from astype are based on real world stencils. The UK No. 2 design was derived from authentic one inch A2 Roman stencil plates from Great Britain, manufactured around the 1950s.
Showing posts with label capital sharp s. Show all posts
Showing posts with label capital sharp s. Show all posts
Download Vtg Stencil UK No2 Font Family From astype
british
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capital sharp s
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construction
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display
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England
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headline
Download Bridge Text Font Family From TypeMates
bookish
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capital sharp s
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case sensitive
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classic
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e-book
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ebook
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The drummer in a band of confident, edgy editorial typefaces Bridge Text brings rhythm and clarity to longform reading. With crisp character, sparkling texture and driving asymmetrical counters, Bridge Text refines Bridge Head’s graphic qualities for note perfect, highly readable text at smaller sizes.
Slightly narrow proportions, moderate stroke contrast and an ample x-height ensure Bridge Text is clear and efficient. With five weights and matching italics for distinctively setting quotes or marginalia, Bridge Text has a range of ways to give longform text a modern voice. Each of her 10 styles can work together with Bridge Head to tell stories and build complex typographic ensembles in editorial and corporate design.
Unlike other superfamilies, Bridge Head and Bridge Text are distinguished by more than optical adjustments. Letterforms and details are opened out or simplified for body text. Close up, the two-cornered counter shape that gives text a crisp character appears. Step back, and a smooth, calm texture for print publishing and digital media emerges. The daughter of classical Didone typefaces, Bridge has a vertical stress and a modern treatment.
Bridge’s ideas and foundations began during TypeMedia 2018 (https://www.typemedia2018.com/mona) in The Hague as a master project under the supervision of Erik van Blokland, Paul van der Laan, and Peter Verheul. Thank you!
Download Captura Font Family From Anita Jürgeleit
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Captura is a friendly, geometric, sans-serif typeface family reduced to the essential attributes. It was designed by Anita Jürgeleit. It underlines your design, whether it is based on an eccentric or discreet characteristic. Headlines are looking great and text content remains legible with this workhorse font family.
Twelve styles, small caps, and an expanded set of numbers match your magazines, infographics, menu cards, stationery, and advertising or movie titles. Additional currency symbols and additional fractions provide many opportunities to meet special international pricing requirements. Captura supports most Latin languages.
Download Galix Mono Font Family From Schizotype
bitcoin symbol
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Bold
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capital sharp s
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Clean
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code
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coding
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This monospaced version of Galix was commissioned in 2037 by the space exploration company Earth2, as part of a major overhaul of their branding, which had used, since 2021, a generic sans serif (much like every other company). Many specialists in both design and space exploration suggested that this very rebrand started a chain of events that concluded with the invention of time travel in 2041. Contrary to the perceived notion put forward in popular Science Fiction, time travel is only (as of now) possible in the digital realm. It was considered fitting that included among the first files sent back in time should be the Galix Mono typeface, which was remade in OTF format to ensure that it would work with the technology available in 2019. Earth2, for all their insight, did not foresee that the release of the typeface in September of 2019, would lessen the impact of their rebrand. What kind idiots would rebrand a forward looking company with a font that was, by then, almost 18 years old? The subsequent lacklustre response to the redesign didn’t inspire the tidal wave of R&D funding Earth2 had anticipated, and the company went into administration in the summer of 2039, having never invented the time travel which made the release of Galix Mono in 2019 possible. Experts believe that the files sent back in time, although their very sending made it impossible for them to be sent, remained as “time relics” of the future that might have been.
Download Bionik Font Family From Fontador
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Bionik is a squarish serif, especially designed for contemporary typography on print and screen. The super ellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With light rounded corners Bionik provides a soft and friendly atmosphere.
The font contains 6 weights from ExtraLight to ExtraBold plus true italics. 944 glyphs include 218 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language support for every typographical needs. Bionik is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.
Download Marlin Soft Font Family From FontMesa
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Marlin Soft is a rounded corner version of our Marlin Geo font family and like its parent font also includes two sets of italics. The standard italic is set at twelve degrees and the slant version set at six degrees, the slant version is perfect for signage and headlines where you may want the look of an italic but are limited on horizontal space.
Marlin Soft includes many alternates which may be accessed using opentype aware applications, with over three hundred alternates to choose from your creative possibilities are great.
Whether you're looking for a round dot or a square dot Marlin Soft is one font family that delivers both set up as two separate fonts so you may change a whole page of text at one time.
Your projects are sure to look nice and cozy with the warm feeling Marlin Soft will bring to your product label or page design.
Three free sample basic fonts are available which are fully functional minus the alternates.
Download Niko Font Family From Ludwig Type
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Niko is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The wedge-shaped stem heads add liveliness and variety to the carefully crafted letterforms. Niko, a highly versatile type family consisting of 54 styles that are designed to work equally well on paper and on screen. The family includes condensed, as well as extra-condensed variations, for situations where space-saving typography is required.
Download Bw Beto Font Family From Branding with Type
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Designed by Alberto Romanos, Bw Beto borrows cues from over 300 years of serif design evolution; from early renaissance typefaces to transitional models from the 18th Century, all filtered and interpreted without falling for design dogmas. Only with contemporary graphic branding functional and aesthetic needs in mind. It’s available in 2 optical sizes containing 5 weights with matching true italics each.
Download Halvar Font Family From TypeMates
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Halvar, a German engineered type system that extends to extremes.
With bulky proportions and constructed forms, Halvar is a pragmatic grotesk with the raw charm of an engineer. A type system ready to explore, Halvar has 81 styles, wide to condensed, hairline to black, roman to oblique and then to superslanted, structured into three subfamilies: the wide Breitschrift, regular Mittelschrift and condensed Engschrift. Designed to be as adaptable in application as it is steady in appearance, this spectrum makes Halvar as ideal for complex corporate identity solutions as it is for particular ones. For industrial duties, a stencil display version is also available.
Halvar is not only built to be flexible, but technical. Apart from the SuperSlanted, all its font styles are multiplexed—a word in one Halvar’s roman or italic widths will occupy the same space regardless of weight—allowing for fine work in annual reports, interface design, or anywhere space is at a premium and the demands of reflow, rollover and animation need to be considered.
With a character set that includes extended Latin, Greek and Cyrillic and supports more than 190 languages, Halvar’s styles have German names and multilingual ambitions. Perfect for cross-market branding. To ensure TypeMates’ usual high standards throughout all glyphs, the Cyrillic and Greek letterforms were developed in consultation with native readers.
Needless to say, a font system this comprehensive is shipped with tabular figures, circled highlights, superscripts, as well as fractions. Alternate characters let Halvar toggle between two additional stylistic sets: one plain and functional, another distinct and digital.
With manual TrueType hinting and special attention to text styles, a stable x-height, contemporary proportions and a robust design, Halvar is optimised for screen performance and ready to meet any challenge in user interface typography.
Download Halvar Stencil Font Family From TypeMates
Branding
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capital sharp s
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compact
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condensed
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constructed
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Corporate
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Halvar Stencil, an unbreakable industrial typeface
Halvar Stencil expands on the Halvar universe by building on its industrial attitude: this German-engineered Schablonenschrift is a typeface for construction sites, power stations, data plates and anything that demands visual impact.
Cutting stencils into the letters of Halvar reveals that the typeface is an engineer. With letters parted into circles and rectangles, Halvar Stencil is a practical typeface whose raw character is stabilised with consistency and solid workmanship. With bold weights well-suited to immense and brute uses and light weights that are airy and chic, it has flexibility to match its scale.
Unusual amongst stencil typefaces for being constructed for complex and international operations, Halvar Stencil’s multi-script design covers Greek, Latin and Cyrillic, allowing cross market branding. Naturally, a system this comprehensive also comes with tabular figures, superscripts, localised alternates and many other useful OpenType features.
Complementing all this, Halvar’s multi-plexed functionality means that designers can lighten and darken text in complex settings without worrying about reflowing text or distorted interfaces. Like Halvar, Halvar Stencil has an absolutely consistent character width across all its weights.
Subdivided into an extended Breitschrift with a bold physique, a moderate Mittelschrift and a condensed Engschrift, each stencil subfamily has nine styles ranging from lightweight Hairline to massive Black weights. United in the Halvar Stencil Collection, these three families cover an exceptional range.
Please, max the Gap! Havar Stencil is not only available in three widths, it’s shipped with three sizes of stencilling. From the tight MinGap to the loose Maxgap, this ensures that whether Halvar Stencil is applied to a shipping container or the plaque of a hard carry case, it has the right amount of stencilling for the job.
Download Susie Font Family From Caron twice
80s
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advertising
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alternates
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Apple
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Bitmap
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capital sharp s
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Susie specimen.pdf
Susie is inspired by Chicago — a custom typeface for Apple Computer, Inc. designed by Susan Kare in 1984. Chicago was part of the Apple identity and a primary typeface in the breakthrough of Macintosh & iPod. And also a free typeface for users of Macintosh MacPaint and MacWrite. Susie shows a more contemporary look on this bitmap typeface.
It honors the horizontal to vertical stroke width ratio. Optically it keeps the inner whitespace the same size and changes its treatment of round shapes. These forms, which seem round at the smallest sizes of the bitmap version, are strictly rounded. A fundamental change can be found in the diacritics, which are darker and more compactly connected to the character. The typeface has a very specific character that in itself attracts attention. As such it is ideal in places where something needs to be emphasised. It’s also a good choice for setting short texts. In small sizes it is still legible.
Download Draft Natural Font Family From Yellow Design Studio
antique
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capital sharp s
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compressed
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condensed
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display
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distressed
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Draft Natural from Yellow Design Studio is a premium hand-crafted type suite with subtle, organic texture. Its realistic grain adds a warm, authentic touch to any project.
The base fonts include upper and lowercase in four widths and four weights plus italics. Additional hi-res sub-families are designed specifically for use at large sizes. Draft Natural includes three texture styles, double-letter ligatures (to prevent duplicate texture in adjacent characters), alternates, professional typographic features and extensive language support.
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